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New Uniform. Old Problems.

14/1/2017

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Welcome to front of house work with mandatory uniform selected for you by people who don't have to wear it themselves. 
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A seperate issue was when new shirts were introduced. 
White, sort of like school uniform, and obligating the female staff to almost always wear a jumper over, or vest under their shirt, or have their bra visible through the material.
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The real cost of visiting a historic house - Hint, It's not less than £1 per person.

23/11/2016

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Winter nights have drawn in, and many museums and houses are using the dark hours to run dark events - ghost hunts, bat watches, lantern making... So when a photography club emailed an "Elizabethan House" about some night time photography, staff replied to them, willing to help plan an after hours visit.

I know about this because the photography club's response to this plan was apparently so unpleasant, that the house's staff compiled a joke letter, and then wanted to share it with you all.
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The start of the "letter"
It is easy for us, within our institutions, with our detailed knowledge of how they function, to scoff at public misunderstanding about their inner workings. We have a duty to educate and inform the public not only about historic sites, but also the surprising ongoing costs just to maintain the status quo, let alone develop them.

Aaaaaalllthough... Staff frustration is very understandable when someone expects to bring 8 to 15 people on a special out of hours visit, paying less for the whole group than is usually paid for one person!
And they then threaten to break into your venue.
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Read on to see the full image sent to me of the venue's mock letter.
​And do watch out for that box hedge!

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Ten things I wish I'd been told before working in a museum.

7/10/2016

2 Comments

 
I was recently involved in a discussion about "Things no one told you before you started working in a museum”.
​It made me wonder: What would I tell myself if I could go back?

 
I wouldn't want to put the younger me off working in museums, galleries or heritage sites, but perhaps guide them a bit in what to expect. The ten points here may not be the most vital and key things to know, but they are things I wish I'd been prepared for!
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A Man in Uniform

2/8/2016

1 Comment

 
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Although at least when people ask this, however daft it may seem, it's better than people in the supermarket asking us where items are - because wearing black trousers and a coloured polo shirt MUST make us staff for the venue. No one would ever pop into a shop on their lunch break from work without first getting changed into distinctive civvies!
1 Comment

Historic office space

6/7/2016

1 Comment

 
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A previous venue I worked at had some offices in the older refurbished areas of the building, as well as the newly built extension. They were cramped, but very beautiful as a work space. One staff member had regular "visitors", as her office was the first door at the very top of the main stair case. 

To get to the top of the stairs, people had to actively climb over or unclip two rope barriers, and squeeze around or move a Private sign on a freestanding post.

On one occasion, she had to ask a visitor if they would delete the photo they had just taken of her sitting at her desk.
1 Comment

Audio guide zombies: Death of exploration and interaction.

25/4/2016

3 Comments

 
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Recently I visited a lot of venues over three days. At Westminster Abbey, Apsley House, HMS Belfast and the Churchill War Rooms we were given hand held audio guides which worked with varying degrees of success. We noticed that wherever they were being 'successfully' (extensively) used, they turned most visitors into zombies. My travelling companion made the observation in the cartoon above.

I know that audio guides are a good way to control visitor flow and visit times, ensuring people get an overview while also pushing them through sites at a suitable speed. They can provide a reliable service not always possible unless you employ a large pool of highly trained staff, such as language options, BSL on video screens, child friendly tours. They can be a flexible tool, such as at Apsley House, offering visitors a choice of tours depending on their specific interests. They allow historical venues to be free from obtrusive signs. From the visitor's point of view, their experience can also be enhanced by a good audio guide, with music, interviews from behind the scenes staff, and video clips. 

However, using so many audio guides in a short time highlighted two - to me - unpleasant side effects. The first is how much people were attuned only to the audio guide, to the detriment of all else. The second was the isolation of the user.
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